Featuring Skilled Local, National, and International Artists
Tom Everhart was born on May 21, 1952 in Washington, D.C. He began his under graduate studies at the Yale University of Art and Architecture in 1970. In 1972 he participated in an independent study program under Earl Hoffman at St. Mary's College. He returned to the Yale School of Art and Architecture in 1974 where he completed his graduate work in 1976, followed by post-graduate studies at the Musee de l'Orangerie, in Paris. He taught Life Drawing and Painting, briefly from 1979 to 1980, at Antioch College.
In 1980, Tom Everhart was introduced to cartoonist Charles M. Schulz at Schulz's studios in Santa Rosa, California. A few weeks prior to their meeting, Everhart, having absolutely no education in cartooning, found himself involved in a freelance project that required him to draw and present Peanuts renderings to Schulz's studios. Preparing as he would the drawings and studies for his large-scale skeleton / nature related paintings; he blew up some of the cartoonist's strips on a twenty-five foot wall in his studio which eliminated the perimeter lines of the cartoon box, leaving only the marks of the cartoonist. Schulz's painterly pen stroke, now larger than life, translated into painterly brush strokes and was now a language that overwhelmingly connected to Everhart's own form of expression and communication. Completely impressed with Schulz's line, he was able to reproduce the line art almost exactly, which in turn impressed Schulz at their meeting. It was directly at this time that Everhart confirmed his obsession with Schulz's line art style and their ongoing relationship of friendship and education of his line style.
A few years later, while still painting full-time on his previous body of work in his studio, Everhart began drawing special projects for Schulz and United Media, both in New York and Tokyo. These authentic Schulz-style drawings included covers and interiors of magazines, art for the White House, and the majority of the Met Life campaign. When Everhart was not painting, he was now considered to be the only fine artist authorized and educated by Schulz to draw the actual Schulz line.
The paintings using Charles Schulz's comic strip, Peanuts, as subject matter began and replaced the skeleton and nature related paintings in 1988. The inspiration came to Everhart in Johns Hopkins Hospital, where he was undergoing several operations for stage 4 colon / liver cancer in the summer of 1988. Everhart recalls lying in a hospital bed surrounded by enough flowers to open a florist shop, piles of art books and a stack of Peanuts comic strips sent to him by Schulz. The light streaming in from the window almost projected the new images of his future Schulz inspired paintings on the wall. All the images in Everhart's work are in some respect derived from Schulz's Peanuts comic strip.
In January1990 Everhart's Schulz related work went on to show at the Louvre in Paris and subsequently in Los Angeles at the L.A. County Museum of Natural History. Montreal at the Museum of Fine Arts, Tokyo, Japan at the Suntory Museum of Art, Osaka, Rome, Venice, Milan, Minneapolis, Baltimore, New York, Houston, Chicago, Las Vegas, and in Santa Rosa California at the Charles M. Schulz Museum.
In 1991, Charles Schulz and United Media drafted a legal agreement to allow Tom Everhart to use subject matter from Schulz's Peanuts strip in his art for "the term of his life".
Tom Everhart continues to lecture around the world on the artwork of Charles M Schulz and to communicate the unique collaborative relationship they shared, as a cartoonist and a painter. This he has dedicated his life to. After living in San Francisco, Paris, New York, Washington D.C., Baltimore, and London, in 1997 Tom Everhart moved to Venice California where he now lives with Jennifer, his wife and director of their studio.
Today, Everhart is the only fine artist educated by Schulz and legally authorized by both Charles Schulz and Iconix to use subject matter from Schulz's Peanuts strip to create fine art.
Since the beginning of the new millennium, literally thousands of collectors from around the world have added one or more of Alexei Butirskiy images to their collections.
What has caused this immediate and enthusiastic reception? As Aristotle once said, “Art not only imitates nature, but also completes its deficiencies.”
No one could have described Alexei’s complex painting technique more succinctly!
In his own unique way, Alexei Butirskiy achieves a marvelous transition from what is often unattractive source material through a masterful enhancement process of addition and subtraction, until he awakens the sleeping beauty in each composition.
“When I paint, I don’t just copy from any particular place. I try to memorize the original impression I had when I was somewhere, and then I recompose it in my head, based on how I feel about it. After that, I paint. I think it is very important for an artist to not just copy mechanically from nature. In that case, the artist could be replaced by a camera.
An artist should rather have a goal and then follow it to create the emotional images and a special atmosphere in the painting, and to thereby convey an individual message. Painting nature with all its many faces is always magnificent. To me, there is no such thing as bad weather.”
Alexei Butirskiy brings a genuine expression to the art world and a sense of both mystery and belonging to each of his paintings. “The source of my inspiration is life itself. I find peace and harmony all around me. I observe the beauty of my surroundings and love to share my appreciation of the world through my eyes and transfer it to my viewers by way of my canvas.” Born in Moscow in 1974, Alexei Butirskiy entered Moscow Art College in 1992. In 1996 he finished his studies at the Art College and graduated with an Excellence Diploma. In 1998 he completed the Russian Academy of the Arts where he studied under respected professor L.S. Hasyanova.
Since 2001, Butirskiy has participated in over 100 exhibitions. In 2007, Alexei was invited to exhibit at the prestigious Il Vittoriano in Italy. He has exhibited at one-man shows and auctions in Russia, England and the United States.
Most recently, Alexei has concentrated his efforts primarily on representing urban life around him in unembellished, truthful terms. A sense of tranquility is conveyed in each of his paintings. They are typically without action or conviviality, and most are uncannily still, with only light, space, shadows and color offering dialog.
The power and intensity of the relationship between light and dark are the profound forces of his work. The sophisticated application of light effects with color reinforce the majesty of his compositions. Butirskiy’s paintings are reminiscent of the works of Claude de Lorraine and Caravaggio with their luminescent qualities and skillful variations of light and dark.
Alexei Butirskiy’s ability to combine architecture, color and format is a refined skill normally reserved for artists much his senior. As a result, he ranks among Russia’s top emerging artists. His work is exhibited in galleries and private collections throughout France, England, Austria, Germany, Morocco, Switzerland, Russia, Canada and the United States. From Russia with Love!
Thomas Arvid possesses an unerring ability to refine a moment. In doing so he captures our wonder and has become an art world phenomenon. Art Business News (May 2003) credits him with "launching a major art trend . . ." with his oversized still life compositions of wine and the rituals surrounding it. Arvid astounds viewers with the intricate details of his images and with his mastery of light, depth, and reflection.
The magic of his painting is in Arvid's ability to visualize and chronicle an entire scene beyond the frame – to tell a story of enjoyment and the good life – using lush color and adroit composition. Arvid is passionate about art and wine: a collector of both, he strives to capture the pleasure of a life well-lived on each canvas. An Atlanta resident and fresh-faced father of two young sons, the self-taught artist insists that wine should be approachable; his paintings are an embodiment of the casual way that we enjoy wine today. He is an appealing role model for a lifestyle of easy elegance and unpretentious charm.
Arvid's approach to wine and painting is surprising, given his background as a Detroit native raised to parlay his inherent artistic talent into a secure job in the industrial complex. Instead, Arvid made the leap into pursuing his art as a career, and with the support of his art historian wife and inspiration garnered during a backpacking trip through Europe, he began painting full time.
Drawn to wine by his focus on the color red, Arvid knew he had discovered something when his paintings featuring red wine were being purchased before they were finished. Arvid is awed by the response to his work, "Wine is a great subject because people are familiar with it; they really connect to it. My paintings are really the landscapes between people sharing wine – it's amazing that my collectors find personal fulfillment in my work, especially when I'm just doing what I love."
The aura surrounding Arvid's work is palpable. His international appeal has created such demand that his work is represented by over 50 elite art galleries in the US, Canada, and Japan; collectors are willing to wait years for one of his originals. Influential wineries such as Silver Oak Cellars, Far Niente, and Diamond Creek Winery collect Arvids because he translates the craftsmanship of wine to canvas. Doug Shafer, of Shafer Family Vineyards, likens Arvid's skill to that of a winemaker, "Arvid's style is big and bold, with enough selected detail and softness to create a sense of balance . . . this blend of elements is precisely what winemakers hope to bring to their top vintages."
Today, Thomas Arvid and his wife, Vanessa, head Thomas Arvid Fine Art, Inc., one of the most successful boutique art publishing companies in the country. Founded in 2000, the company distributes Arvid's limited editions and originals across the country and the world. In 2004 they released a retrospective of Arvid's work, "Arvid: Redefining the Modern Still Life," that traces the development of Arvid's style from its beginnings a decade ago to the lifestyle it is today. The book is a fitting chronicle to illustrate one of Arvid's favorite phrases, "Life without art is like dinner without wine. Why bother?"
Scott Johnson - Jade Glass Flowers
Scott Johnson is a master glass artist who has been making glass flowers since 2003. Scott started his career in 1985, following the footsteps of his father & world-renowned sculptor, Snell Johnson. Snell’s works include one of the largest bronze sculptures in the world, a gold lion located at the MGM Grand Hotel and Casino in Las Vegas.
Scott started his artistic pursuits in bronze, creating limited edition works. His love and curiosity for visually appealing arts led him to build a successful business creating ceramic sculptures combined with hand blown glass, which he sold after six years and began searching for other ways to express his creativity. His passion for glass and the knowledge of casting materials led him to develop extraordinary glass flower bouquets which can be purchased through fine art galleries.
Scott stays in Cave Creek, Arizona, with his wife, Shawn and six beautiful children. Together, Scott and Shawn have poured their creative energy and hard work into making hand blown glass flowers. Working from a home studio, they enjoy spending time with their family and working together to build a successful business.
Houston Llew - Spiritiles
The glass is applied to one side of the metal using stencils and relying on precise layering with hand sifters. The piece is only fired once. After firing, a pin is rolled over the enameled metal to form intentional crazing marks in the glass.
Although it goes against the medium's traditional teachings, Houston says this technique creates increased light refraction, particularly in the transparent glass, and allows for easier malleability. Like all beautiful enamel works, the results are best seen in person to fully appreciate the effect.
Every Spiritile is handmade according to the same dimensions following the golden mean ratio. With a quirky smile, Houston likes to say these artworks are “Created as windows of the enlightened spirit,” inspiring those who interact with them.
While every piece has its own unique essence, all are created to live in community with the others, giving an eclectic collector limitless possibilities of personal expression.
Spiritiles are represented in selected fine art and craft galleries across the US. To represent the line, retailers hold just the right blend of eclectic product, presence and personality.
It is Houston’s aspiration that every gallery representing Spiritiles be a place to seek the unusual - the moving - the enlightened element for the environment of the collector.
Contemporary artist Sarah Palmer, a native of San Antonio, Texas, earned her Bachelor of Fine Arts at the University of Texas in Austin in 2015, and afterwards studied at the Florence Academy of Art. Sarah earned her Masters of Fine Arts degree from the Savannah College of Art and Design in Atlanta in the spring of 2019. She has a studio in San Antonio at the Hausmann Millworks and loves working with the community of artists there. Sarah has shown her work locally at the Witte Museum, the McNay Art Museum, Cornerstone Christian School, the W Hotel in Austin, and nationally at the MOCA Gallery and Trois Gallery in Atlanta, Georgia.
The multi-talented Malen Pierson can best be described as a folk artist, a collector of found objects, and a true innovator when it comes to the integration of old tools, farm equipment, antiquities, and all forms of metal. Few people have the creative vision to see what discarded items can become. Yet Pierson skillfully practices the art of fusion – weaving rare and abandoned metals, tools, and recycled materials into highly desirable art forms. Malen’s artistic success is due to his truly unique welding and assemblage process. His style incorporates a dense composition of various metals and found objects into full sized horses, moose, goats, buffalo, herons, and other farm animal sculptures. His paintings also explore his sense of whimsical fancy, and are 3-dimensional in their multi-layers and varied textures.
Born in Fontana, California in 1969, Malen had a passion for art from an early age, exploring drawing, painting, sculpture and ceramics. This artistic quest took him to Utah State University, where he more seriously pursued his artistic passions. Malen and his wife Wendy, both fell in love with the mountains and rich landscape of Utah, and eventually settled in Lewiston, a scenic small town at the base of the Wasatch Mountains about an hour north of Salt Lake City. There Malen drew on his artistic vision, converting a 1926 train station property into an art studio and loving home for his wife, and the two children, Sky (7) and Soli (4), who followed thereafter. It is evident that this idyllic property belongs to an artist. Dotted throughout the Pierson’s front and back yards are striking metallic assemblages, an assortment of raw materials awaiting his unique transformation, and several other large Pierson projects and paintings in progress.
Malen is prolific in his devotion to all things – family, community, and his tireless dedication to his art. He has sold more than 500 pieces of his work, which are now housed in local, national, and international private collections, including those of Robert Redford and Martha Stewart. In 2000, the internationally known Sundance Film Festival, honored Pierson by requesting that he design and produce all of the awards for that year’s prestigious celebration of film.
Pierson has also been asked by galleries across the country to stage one-man shows, including private exhibitions in Jackson Hole, Wyoming; Green River, Wyoming; Park City, Utah; and the Children’s Museum in Pueblo, Colorado. Recently, one of Malen’s large moose was installed as a public sculpture on Main Street in downtown Jackson Hole, Wyoming. Malen Pierson’s work can be found in many galleries across the country.
As the son of an Air Force serviceman stationed in a small Japanese village, Ford’s artistic sensibilities began to take root under the nurturing eye of an elderly Japanese painter when he was just twelve. After graduating from the University of Mississippi with a BFA in painting, Ford moved to Atlanta, Georgia where he realized a natural talent for photography. During the late 70’s and 80’s Ford established his reputation as Atlanta’s premier fashion and commercial photographer.
The early 90’s, however, brought a compelling urge to return to painting. He began painting again whenever his schedule permitted, which wasn’t often enough to satisfy his creative mind. So, in 2000, as he approached his 50th birthday, Ford decided that he would no longer deny his passion for painting – despite his success and stature as the city’s top photographer. Believing his return to painting deserved 100% dedication, Ford sold his photography business and never took another professional photograph. He then set off to travel the world and seek inspiration.
After exploring different painting styles and themes, he found tremendous fulfillment creating contemporary landscapes conjured from the stunning horizons witnessed during his travels. Emboldened by critics and collector’s enthusiasm, he narrowed his focus there and pushed the creative boundaries of landscapes to arrive at the distinctive and radiant style for which he is known.
He never paints from a photograph – nor does he do studies. Instead, he enjoys the freedom and creative abandon to see where an impulse might lead. The intensity of working over a single piece to finish it makes the process very physical. Well known for his mosaics, splashes and seemingly endless ways of abstracting reflections, he lets layers of paint – acrylics on canvas – drip and flow, just letting things happen. “I was taught in college to let the paint find the imagery,” he recalls. Ford then goes in with skilled precision to create the light, details and natural elements that define his fascinating style of painting.
Ford’s sense of nature is not a Romantic’s wild and angry universe. To the contrary, his distinctive paintings reflect a palpable optimism and vibrant confidence. The easy precision, subtlety and repose of his paintings may well derive from that Asian aesthetic he developed in his early years.
Now he’s arrived at what he believes to be his true destiny. “I’m grateful every day that I get to paint for a living,” Smith says, “I feel like the luckiest guy on earth, and I think that energy and optimism is reflected in my work.” Ford resides in Roswell, Georgia with his wife, Cristi, along with their beloved Boston Terrier, Belle.
D. Arthur Wilson
“One of the most challenging undertakings a person can face, is to find out who you are, be who you are and then share who you are”
Embarking in the fourth decade on his artistic journey, D. Arthur Wilson constantly marvels at the adventure his life has become. Born and raised near Dayton, Ohio and the son of an artist, his self-taught career began at the tender age of three with his first painting. It is appropriate to assume that the wild heart of the artist wandered throughout a series of artistic styles before settling with his passion and self-defined style of “Wild Expressionism”.
Moving from coast to coast as a quick sketch portrait artist allowed Wilson to explore the people and places that would eventually lead him to that first painting in his definitive style: the inaugural tiger, up close and personal that sold while on the easel before its completion. Since then, Wilson has created thousands of originals that capture the souls of the exotic, alluring beasts. Rendered on European Suede Mat Board with specific application of pastel, Conte’ crayon and charcoal, each is a masterpiece for generations to appreciate.
Wilson’s passion is not only for the wild menagerie that he paints, but for the preservation and conservation efforts as well. His affiliations include Turpentine Creek Wildlife Refuge, Tippi Hedron’s Shambala Preserve, SEE-North Raptor Education and Rehabilitation Center, The Digit Fund, Mission Wolf, Nebraska Wildlife Rehabilitation Center, Cheyenne Mountain Zoo, Henry Doorly Zoo, Denver Zoo, Little Rock Zoo, Cheetah Conservation Fund, and is included in Who’s Who in America. Wilson's wild menagerie spans the globe with private and corporate collections around the world, and one animal in particular rose to the surface as his own character over a decade ago. "Rhupert the Ostrich" emerged as D. Arthur's Wacky Philosopher and Lovable Icon and has collectors in all 50 states as well as numerous countries. Rhupert's pure and positive message is one that Wilson lives on a daily basis: "Be Yourself". and in the words of Oscar Wilde, "Life Is Too Important To Be Taken Seriously". Rhupert is a metaphor about the Human Condition, always reminding us to simply Be Ourselves, because quite frankly, everyone else is already taken!
“…a dramatic blend of levity and profound depth, balanced with sensitivity and passion…”
This describes Abstract Expressionist, Lisa, to those who know her, and those who don’t …yet.
An artist for most of her life, her definitive style of Expressionism evolved from her experience, passion and love of life,the beauty they have offered. Each dramatic work of art is a prayer; an offering surrendered in a spirit of innocent play and exploration. A Meditation… rendered in oil, acrylic, sculpting mediums and a multitude of color, on board, gold leaf or fine art acrylic, each Masterpiece begins to breathe. With passionate relief, its topography unveils itself in a process upwards. A journey of the soul, this artistic adventure has produced extraordinary images that evoke a primal reaction from Lisa’s audience, collectors coast to coast and abroad, stirring their hearts and sparking the imagination. Contemporary, yet soulfully introspective, one needs only to pause and let her paintings speak; to quiet their souls for just this moment, communicate in the language of the heart.
An only child, she was fortunate to have endless artistic influences in her life that perpetuated a steady creative flow, beginning with the inspiration of her mother, an accomplished vocalist; her encouragement directly affected Lisa’s ability to push through, discover, and find her creative self. As a result, Lisa would spend hours creating, drawing, painting and immerse herself in art of every form. An accomplished dancer, musician and vocalist, Lisa allowed the creative force to come forth and to flourish. The joy of her family, the thrill experienced from raising her sons, living throughout the country, and experiencing the different rhythms of people have also been a major contributor to her perception and presentation of her art.
As a result, Lisa's paintings grace homes and corporations internationally and throughout the country.
"Art is in the perception; and my art would be shallow without the tapestry of love and relationships that make my life so rich— thus contributing to the final outcome on the canvas.”